{"id":12158,"date":"2023-06-01T11:40:33","date_gmt":"2023-06-01T09:40:33","guid":{"rendered":"https:\/\/staging-v2.kulturwissenschaften.de\/?post_type=person&#038;p=12158"},"modified":"2026-01-14T12:28:09","modified_gmt":"2026-01-14T11:28:09","slug":"jakob-schnetz","status":"publish","type":"person","link":"https:\/\/www.kulturwissenschaften.de\/en\/person\/jakob-schnetz\/","title":{"rendered":"Jakob Schnetz"},"content":{"rendered":"<p><strong>ACADEMIC CAREER<\/strong><\/p>\n<p>Since 06\/2023 PhD candidate, funded by a KWI doctoral scholarship. Doctoral project: &#8220;Beharrliche Apparate. Zum Verh\u00e4ltnis von digitalfotografischer Technologie und Hautfarbe &#8221; (Working Title)<\/p>\n<p>10\/2019 \u2013 09\/2022 M.A. History and Theory of Photography, Folkwang University of Arts, Essen (graduated with distinction)<\/p>\n<p>Since 2015 \u2013 freelance photographer for media outlets and newspapers such as e.g. Die Zeit, ZEITmagazin, S\u00fcddeutsche Zeitung Magazin, taz, Brand Eins, Der Spiegel, Frankfurter Allgemeine Zeitung, fluter, Dummy Magazin.<\/p>\n<p>10\/2012 \u2013 06\/2018 B.A. Photojournalism and Documentary Photography, University of Applied Arts and Sciences Hanover, Germany. Exchange Semester an Tomsk State University (graduated with distinction)<\/p>\n<hr \/>\n<p><strong>Research Interests<\/strong><\/p>\n<ul>\n<li>Media and Image Theory<\/li>\n<li>Theory and History of Photography<\/li>\n<li>Digital Pictoriality<\/li>\n<li>STS, Philosophy of Technology<\/li>\n<li>\u00a0Critique of Racism<\/li>\n<\/ul>\n<hr \/>\n<p><strong>Publications (Selection)<\/strong><\/p>\n<ul>\n<li>\n<p style=\"font-weight: 400;\">2024 [with Rebecca Racine Ramershoven]: Vermessung des Angemessenen? Ein kritischer Experimentbericht zur fotografischen Repr\u00e4sentation von Hautfarbe\u201c, in: Steffen Siegel, Mira Na\u00df (Ed.): Vermessene Bilder. Von der Fotogrammetrie zur Bildforensik. Fotogeschichte 44 (2024), Heft 172, p. 30-37.<\/p>\n<\/li>\n<li>\n<p style=\"font-weight: 400;\">\u201eKacheln, Mosaike, Raster. Kalkulierte Nat\u00fcrlichkeit in der digitalen Farbfotografie\u201c, in: Rundbrief Fotografie 29\/1, N.F. 113 2022, S. 7\u201320.<\/p>\n<\/li>\n<li>\n<p style=\"font-weight: 400;\">\u201eBeharrliche Apparate. Eine rassismuskritische Untersuchung wei\u00dfer Normen in fotografischer Technologie und ihrer algorithmischen Nutzung\u201c, in: Simon Dickel und Rebecca Racine Ramershoven (Hg.): Alle Uns. Differenz, Identit\u00e4t, Repr\u00e4sentation , M\u00fcnster: Edition Assemblage 2022, S. 60\u201389.<\/p>\n<\/li>\n<li>\u201eSolidarit\u00e4t als visuelle Geste? Eine ambivalente Erinnerung an den #blackouttuesday auf Instagram\u201c, in:\u00a0Kritik, Journal Folkwang Universit\u00e4t der K\u00fcnste, 2021, Online.<\/li>\n<\/ul>\n<hr \/>\n<p><strong>Memberships<\/strong><\/p>\n<p>Gesellschaft f\u00fcr Medienwissenschaft<\/p>\n","protected":false},"author":139,"featured_media":13416,"template":"","person_category":[277],"class_list":["post-12158","person","type-person","status-publish","has-post-thumbnail","hentry","person_category-forschende"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/person\/12158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/types\/person"}],"author":[{"embeddable":true,"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/users\/139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/media\/13416"}],"wp:attachment":[{"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/media?parent=12158"}],"wp:term":[{"taxonomy":"person_category","embeddable":true,"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/person_category?post=12158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}