{"id":18206,"date":"2025-09-25T12:15:43","date_gmt":"2025-09-25T10:15:43","guid":{"rendered":"https:\/\/staging-v2.kulturwissenschaften.de\/?post_type=person&#038;p=18206"},"modified":"2026-03-25T14:56:42","modified_gmt":"2026-03-25T13:56:42","slug":"assoc-prof-elizabeth-ramirez-soto","status":"publish","type":"person","link":"https:\/\/www.kulturwissenschaften.de\/en\/person\/assoc-prof-elizabeth-ramirez-soto\/","title":{"rendered":"Assoc. Prof. Elizabeth Ram\u00edrez-Soto"},"content":{"rendered":"<p><strong>Academic Career<\/strong><\/p>\n<p>Since 2024<\/p>\n<ul>\n<li>Associate Professor of Film and Media Studies, School of the Arts, Columbia University<\/li>\n<\/ul>\n<p>2023 &#8211; 2024<\/p>\n<ul>\n<li>Assistant Professor, Department of Communication and Media Studies, Fordham University<\/li>\n<\/ul>\n<p>2017 &#8211; 2023<\/p>\n<ul>\n<li>Assistant Professor, School of Cinema, San Francisco State University<\/li>\n<\/ul>\n<p>2014<\/p>\n<ul>\n<li>Ph.D. in Film and Television Studies, University of Warwick, U.K.<\/li>\n<\/ul>\n<p>2009<\/p>\n<ul>\n<li>European M.A. in Media, Communication and Cultural Studies, Institute of Education, University of London, U.K. and Universit\u00e9 Stendhal-Grenoble 3, France (CoMundus)<\/li>\n<\/ul>\n<hr \/>\n<p><strong>Research interests<\/strong><\/p>\n<ul>\n<li>Latin Amercian cinemas<\/li>\n<li>Transnational film and television<\/li>\n<li>Documentary film studies<\/li>\n<li>Feminist film histories<\/li>\n<li>Political and radical cinemas<\/li>\n<\/ul>\n<hr \/>\n<p><strong>Publications (Selection)<\/strong><\/p>\n<ul>\n<li>2025 (with Marina Tedesco and Isabel Segu\u00ed, ed.): &#8220;Guerilla Archiving: Documents for a Feminist History of Latin American Cinemas.&#8221; <em>Studies in Spanish and Latin American Cinemas<\/em> 20 (1-2) [Sept. 2023].<\/li>\n<li>2024 &#8220;Channel 4 and the South Series (1991-93): From the Third World to the Global South,&#8221; <em>Historical Journal of Film, Radio and Television<\/em>, 44 (1): 168-194.<\/li>\n<li>2021 &#8220;The Double Day of Valeria Sarmiento: Exile, Mobility and Cinema&#8217;s Gendered Division of Labor,&#8221; <em>Feminist Media Histories<\/em> 7 (3): 154-177.<\/li>\n<li>2019 <em>(Un)veiling Bodies: A Trajectory of Chilean Post-Dictatorship Documentary<\/em>. Oxford, U.K: Legenda.<\/li>\n<li>2016 (with Catalina Donoso): <em>Nomad\u00edas: El cine de Maril\u00fa Mallet, Valeria Sarmiento y Angelia V\u00e1zquez<\/em>. Santiago de Chile: Metales Pesados.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"author":154,"featured_media":18939,"template":"","person_category":[724,437,277],"class_list":["post-18206","person","type-person","status-publish","has-post-thumbnail","hentry","person_category-cohort-11-en","person_category-fellows","person_category-forschende"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/person\/18206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/types\/person"}],"author":[{"embeddable":true,"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/users\/154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/media\/18939"}],"wp:attachment":[{"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/media?parent=18206"}],"wp:term":[{"taxonomy":"person_category","embeddable":true,"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/person_category?post=18206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}