{"id":10177,"date":"2022-09-14T13:36:48","date_gmt":"2022-09-14T11:36:48","guid":{"rendered":"https:\/\/staging-v2.kulturwissenschaften.de\/?post_type=veranstaltung&#038;p=10177"},"modified":"2022-12-08T10:03:56","modified_gmt":"2022-12-08T09:03:56","slug":"red-tape-narratives","status":"publish","type":"veranstaltung","link":"https:\/\/www.kulturwissenschaften.de\/en\/veranstaltung\/red-tape-narratives\/","title":{"rendered":"Red Tape Narratives"},"content":{"rendered":"<p>The recent success of Apple TV+\u2019s 2022 <em>Severance <\/em>has revived both popular and academic interest in fictional discourses on bureaucratic environments. Such narratives bring to the fore transgressive interactions between individuals and bureaucratic systems, flavored with institutionalized absurdity, workplace alienation, and power dynamics. But what is so captivating about stories set in the bleak world of cubicles and corridors? Their newly-rekindled visibility demands a closer look at the affective, textual, and visual flows that circulate within aesthetic representations of the administrative apparatus.<\/p>\n<p>The talk situates <em>Severance <\/em>in the context of a larger tradition of literary and cinematic works drawing on the interplay between artistic and administrative forms. To refer to this corpus, Alexandra Irimia proposes the term \u201abureaucratic fiction\u2019 and explores its potential to describe an autonomous genre spanning across media, but also cultural and linguistic boundaries. The genre is characterized by several recurring tropes: the split subjectivity of fictional office workers, the affect of bureaucratic <em>malaise<\/em>, and three systemic metaphors for bureaucracy: the machine, the labyrinth, and the living organism. The aesthetic category of the \u2018administrative grotesque\u2019 (Foucault) helps to explain how these tropes are deployed in a variety of often contradictory fictional modes, ranging from comedy to dystopian horror.<\/p>\n<p>How has the character typology of the office worker evolved <em>after<\/em> the original iconic clerk figures, Bartleby and Josef K.? How has the spatialization of bureaucratic settings changed since <em>The Castle<\/em>? Alexandra Irimia\u2019s research seeks to answer these questions in relation to a corpus of novels and films from the second half of the 20<sup>th<\/sup> century, using an interdisciplinary framework that combines literary studies (de la Motte, Reichman, Robinson, Wild), critical theory (Agamben, Foucault), and art criticism (Spieker) with sociology (Bourdieu, Castoriadis, Weber) and cultural history (Becker, Crozier, Kantorowicz, Supiot, Vismann).<\/p>\n","protected":false},"featured_media":0,"template":"","event_category":[45,460],"class_list":["post-10177","veranstaltung","type-veranstaltung","status-publish","hentry","event_category-colloquium","event_category-events-in-english"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/veranstaltung\/10177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/veranstaltung"}],"about":[{"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/types\/veranstaltung"}],"wp:attachment":[{"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/media?parent=10177"}],"wp:term":[{"taxonomy":"event_category","embeddable":true,"href":"https:\/\/www.kulturwissenschaften.de\/en\/wp-json\/wp\/v2\/event_category?post=10177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}