Dr. Tilo Reifenstein

KWI International Fellow

Academic Career

  • Since 2021 Senior Lecturer in Critical Studies, York St John University, UK
  • 2018-2021 Lecturer in Critical Studies, York St John University, UK
  • 2017 PhD in Art Theory and Practice, Manchester School of Art, Manchester Metropolitan University, UK
  • 2016 Franz Roh Fellow in Modern and Contemporary Art, Zentralinstitut für Kunstgeschichte and Ludwig-Maximilians-Universität, DE
  • 2013-2021 (Associate) Lecturer in Art History and Critical Studies, Manchester School of Art, Manchester Metropolitan University, UK

Research Interests

  • Contemporary art
  • Intersections of literature and visual arts practices
  • Intersections of art and philosophy
  • Artistic research
  • Poststructuralist philosophy

Publications

  • ‘The sense of the line between drawing and writing’, Tracey: Drawing and Visualisation Research (2021), vol. 15, no. 1, special issue: ‘Drawing matters’, Vanessa Corby & Lucy O’Donnell (eds), pp. 1–10.
  • ‘Between the visible and the legible: Raymond Pettibon’s “I” caught in translation’, Moving between Modes, Mikołaj Deckert, Monika Kocot & Aleksandra Majdzińska-Koczorowicz (eds), Łódź University Press, 2020, pp.107119. DOI: 10.18778/8220-191-8.07.
  • ‘Paperchase’, Open Arts Journal (2019), no. 7, special issue: ‘Between sensuous and making-sense-of’, Elizabeth Mitchell & Tilo Reifenstein (eds), pp.107–124. DOI: 10.5456/issn.2050-3679/2019s08.
  • ‘Ideal identities and impossible translations: drawing on writing and writing on drawing’, Imaging Identity: Text, Mediality and Contemporary Visual Culture, Martin Heusser & Johannes Riquet (eds), London, Palgrave Macmillan, 2019, pp.105–122. DOI: 10.1007/978-3-030-21774-7_5.
  • ‘The graphics of ekphrastic writing: Raymond Pettibon’s drawing-writing’, Ekphrastic Encounters: New Interdisciplinary Essays on Literature and the Visual Arts, David Kennedy & Richard Meek (eds), Manchester UP, 2018, pp.203–218.